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RADIO INTERVIEWS
WWJC, AM 850, Duluth, Minnesota
December 6, 2007 Radio Interview:
LISTEN TO THE
INTERVIEW (Real
Media Format)
(http://www.wwjc.com/northlandnotebook.html#archives)
WDLM, FM 89.3, AM 960, E. Moline,
Illinois (website)
December 7, 2007 Radio Interview, 10 a.m. CST
KNEO, FM 91.7 (The Word) Neosho,
Missouri (website)
Thursday,
January 17, 2008, 10:00 a.m. CST
KFUO, AM 850, Clayton, Missouri (website)
Tuesday,
January 22, 2008, 8:30 a.m. CST
KBJS, FM 90.3, Jacksonville, Texas (website)
Tuesday,
January 22, 2008, 11:05 a.m. CST
KCMI, FM 96.9, Scottsbluff, Nebraska (website)
Wednesday, January 23, 2008, 11:05 a.m. CST
WAWZ, FM 99.1 (Star 99.1) New
Jersey/New York (website)
Wednesday, January 30, 2008, 9:35 a.m. CST
KREJ, FM 101.7, Medicine Lodge, Kansas
& Northern Oklahoma (website)
Thursday,
February 7, 2008, 8:30 a.m. CST
WBCL, FM 90.3, Ft. Wayne, Indiana &
88.1/89.5 - North West & West Central Ohio (website)
Monday,
April 21, 2008, 8:35 a.m. CST
T.V.
INTERVIEWS
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I was pleased to do a Deeper Shopping Television Interview on the Inspiration
Network in February of 2007. Deeper Shopping Television is a revolutionary new TV show, spotlighting the next generation of creators, innovators, authors, artists and their products.
If you love books, literacy, culture, music, art, jewelry, clothing, home decor and giftware, then you will love
Deeper Shopping TV!
Visit the Deeper Shopping Website.
LIVE
APPEARANCES & BOOK SIGNINGS
Soup for the Soul, Northeast Church,
Hendersonville, TN
Friday, December 7, 2007: Guest speaker
PRINT INTERVIEWS
Excerpts from TitleTrakk.com interview with Rel Mollet following
SPLITTING HARRIET release:
(Click
here to read the full interview at Title Trakk website.)
What/who inspired you
to create Harri and the other characters in your book?
A couple of years
back, I read Franklin Graham’s REBEL WITH A CAUSE and was moved
by his story of growing up in the spotlight and dealing with the
expectations of—literally—millions of people. This, in
addition to my own experience with preacher’s kids, opened my
eyes to the incredible amount of pressure placed on these
children to say and do and be everything that the church members
expect from the son/daughter of a preacher. And so Harriet
was born, angst and all.
Tell us how your son Skyler came up with the name, Maddox McCray
for Harri’s nemesis, and did he also think of “Mad Ox” (laughed
myself silly at that!!)
While Skyler was shooting baskets in our driveway, I read him a
rough of the first chapter of Splitting Harriet.
Afterward, while brainstorming scenes with him, I mentioned that
I was having difficulty naming my hero. I rattled off some
names and he chose Maddox. But Maddox what? Around
and around we went until he suggested McCray, a last name he was
using for a character in a story he was writing. Maddox
McCray—perfect!
“Mad Ox”, delivered
by the Down’s Syndrome character in Splitting Harriet, was my
doing. As a Speech Pathologist, I worked with a Down’s
Syndrome boy who often spoke in syllables, especially with new
vocabulary. And so “Maddox” became “Mad Ox.”
What was your favourite scene to write?
I love the “initial meet” between boy and girl, so I’ll have to
go with the scene where Harriet takes a tumble and ends up flat
on her back amid a rainbow of Jelly Bellys. Of course, the
infuriating Maddox is looking on. Fun! Then there
was their “getting to know you”—Grrrr!—walk down Red Sea Lane
that followed. More fun!
You have a flair for humorous chick lit but your novels have a
serious side ~ does the story or the message come first?
You’re making me analyse? Think, Tamara, think!
Which comes first? Well, the story has to be compelling in
order to hold the reader’s attention in order to deliver the
message. But if the writer doesn’t deliver the message
(read: believable), what good is the story? Eek! Can
I just say the two go hand-in-hand? My head’s starting to
hurt.
Splitting Harriet’s message of grace and forgiveness had a great
impact on me ~ what made you choose that theme?
Like Harriet, it’s never been easy for me to accept God’s
forgiveness. Though I ask for forgiveness and know it’s
been given, there’s this little voice inside that says “WAY too
easy. You don’t deserve that.” But, then, none of us
do. Grace… ?
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Click here to read the full interview
at Title Trakk website
Craighart.net after STEALING ADDA was
awarded the "Craig's Choice Award":
What advice would
you offer to a beginning author?
Save yourself! Just kidding. Regardless of the hard work
inherent in pursuing the dream of publication--and there will be
times when your enemy's enemy (AKA the round file) looks mighty
appealing--it's worth the blood, sweat, and tears. Well...not
the blood. Seriously, the first thing I'd advise a beginning
author is to WRITE. Every day, if possible. The goal: to get the
story on paper, no matter how rough. Once the beginning, middle,
and end are in place, go back and "fluff": flesh out characters,
add supporting details, fill gaping holes, etc. In the midst of
all this writing, don't neglect to read. Read authors whose work
you admire and don't limit yourself to those within your own
chosen genre. And don't forget to read books on publication and
the craft of writing.
Ask trusted friends to read your work and provide feedback (you
do know that if you keep scowling like that, your face will get
stuck...). Give it a try. Seek out experienced writers who are
willing to mentor. A good place to start is national writers'
organizations such as American Christian Fiction Writers (ACFW)
and Romance Writers of America (RWA). These organizations have
local chapters you can join. Above all, be patient and
persistent.
Do you use any particular writing strategies, i.e. outlines,
etc.?
I am sooo ashamed. Writing strategies? Not really (head
hanging). Though in other areas of my life I am VERY organized,
I typically begin with a character, a plot, a reasonably clear
beginning, a half-baked middle, and a vague end. I wouldn't call
it a free-for-all, seat-of-my-pants endeavor...but close. So why
don't I develop writing strategies to make the process easier? I
happen to be partial to the unknown turns and twists my
characters lead me through--surprises around every corner to
keep the story interesting for the one stuck in the chair
plunking at the keys.
Ah, but what about the synopsis--that which sells the book? Call
me compulsive, but several of the stories I've sold were
full-length manuscripts when they arrived on an editor's desk.
As for the others, they were one-third to one-half complete when
I sat down to the dread task of writing the synopsis. Thus, I
had more to work with than a mere three chapters, which gave me
a better idea of where the story was heading. Still, many of the
scenes I was FORCED to foresee in writing a synopsis never made
it to the final draft (my character chose the blue pill rather
than the red...).
What do you hope to accomplish through your writing?
Of course I want my stories to reveal Christianity to
non-believers and inspire those who have already accepted Christ
as their Savior, but I also hope they bring the light of love
and laughter to the readers who make the journey with my
characters. On a personal note, my switch from mainstream to
inspirational has deepened my own relationship with God who,
through my writing, has revealed areas in my life that need
attention. Had I not projected certain feelings and thoughts on
my characters for which they had to answer to God, my blinders
might still be on (I'm working on it!).
What are your writing habits, i.e. do you set daily writing
goals?
Ooh, easy question. During the school year, I typically
write/edit Monday through Friday 9:00 till 2:30. Once summer
hits, family time is a priority, so my writing hours are all
over the place (if present at all). When I'm strictly writing
(as opposed to editing), I shoot for a word count of 1,000/day.
Unfortunately, my aim isn't always the best.
How did you get your start in writing?
By reading. Really. Reading books I loved and thinking, "I wish
I could write something like this". Reading books that
disappointed me and thinking, "I could write better than this"
(followed by a snort of disgust and the overwhelming temptation
to throw the book against a wall). Then something happened. My
husband and I decided to start a family, with plans for me to
continue as a speech pathologist after our children were born.
Not until the blessing of a child proved elusive did I accept
what I knew God wanted from me--to stay home and raise our
children. Convicted to find a way to work out of the home, I
wrote my first book that would be published as WARRIOR BRIDE. On
the very day my agent called with news of Bantam Books' offer of
a four-book contract, I received a call from my doctor
confirming my pregnancy (still gives me the chills).
Do you believe in writer's block and, if so, what techniques
do you use to break through it?
Boy, do I believe! As it was for Adda, there was a time when
writer's block was something with which OTHER writers were
afflicted. Not me. I did struggle with certain aspects of my
stories, but I certainly didn't freeze up for long periods of
time. I could always push through it. But then life got more
complicated as life tends to do the older one gets. Sometimes
it's simply not possible to focus on a story when real life
comes knocking. Although I haven't found the cure-all for my
particular strain of writer's block, walking away for an
hour...a day...even a week (Ugh!) often clears the blockage.
Failing that, sometimes feedback from my sister or husband
works. And then there's shopping--
Maybe not. Regardless, it's ALWAYS a good idea to pray.
What do you think is the single most important part of a
story?
Hmm. I'd have to say that the creation of characters with whom
readers can relate is the most important part of a story. Face
it: we all want to be transported. And the only way for that to
happen is to feel what the character feels...care about
them...worry about them...laugh with them... In short, join them
on the journey.
Obviously, it takes a love of writing to see one through the
trials of the craft, but how do you approach your own writing?
Do you do it purely out of love or a sense of duty? Do you
consider it a ministry?
Love? Sense of duty? Both. I love to write, and ache when I go
for any length of time without putting words on paper. As for a
sense of duty, writing not only enabled me to stay home with our
children, but when I'm under contract, duty is what makes me
strap myself in and write when I'm tempted to accept an
out-of-the-blue invite from a friend (not that I don't succumb
from time to time). I like the "ministry" part of the question,
which I couldn't have answered in regards to my previous books.
And that's why STEALING ADDA is so special to me. Though the
Christian market is smaller than the mainstream market I've left
behind, I believe Adda's tale will impact more readers than my
other seven books combined. So, yes, writing is my ministry.
Ooh...I like that.
What do you think is the most rewarding part of your work?
The ability to share my stories with so many people has always
been rewarding. But now I get to share my faith as well and, in
the process, strengthen my own relationship with God. That is
more reward than I'm worthy of.
What do you think it means to be a Christian writer?
I've been a mainstream writer, and now a Christian writer. And
there is a difference. As a Christian writer, I've been given
permission to share my faith without fear of offense which
sometimes required extensive editing of my mainstream books.
Thus, I have the opportunity to give my readers more than just a
romance. I can give them a life-changing message.
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